Movie Reviews

In Theatres

Movies A–B

Movies C–F

Movies G–L

Movies M–R

Movies S–Z

FAQs

Best of 2004

Finding Neverland

La Grand Séduction (Seducing Dr. Lewis)

Super-Size Me

Fahrenheit 9/11

Shrek 2

The Fog of War

The Door in the Floor

Eternal Sunshine of the Spotless Mind

Control Room

Touch of Pink

Harry Potter and the Prisoner of Azkahan

Worst of 2004

Secret Window

Best of 2003

Les Invasions Barbares

Pirates of the Caribbean: Curse of the Black Pearl

American Splendour

Bend It Like Beckham

Love, Actually

Laurel Canyon

The Hours

Worst of 2003

Once Upon a Time in Mexico

Movie Reviews Archive: A to B

A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z

Links are to the Rotten Tomatoes Web site, where you can read what other critics and moviegoers thought of each film. Ratings are from * (stinker) to **** (absolutely wonderful). Theatrical release date is in parentheses, followed by whether we saw the movie in theatre or as a home rental.

A

**** About a Boy (May 2002) - Theatre
Hugh Grant, Nicholas Hoult. Self-absorbed 38-year-old life's is disrupted by a 12-year-old boy.

She says: For what it is, this movie is perfect: Funny but not stupid, sweet but not sentimental, charming but still realistic. Hugh Grant is absolute perfection in this part, and the rest of the actors play off him very well.
He says: I liked this! It was a really cute movie.
About a Boy on DVD

**½ Across the Universe (September 2007) - Theatre
Evan Rachel Wood, Jim Sturgess. Love story set to Beatles music.

She says: Thankfully, I liked this movie as much as I expected to, finding the Beatles music giving unusual resonance to a story that would otherwise be relatively ordinary. And it all does look amazing. (I do have to pause to complain, though, about the Galaxy crowd, a number of whom seemed too young to "get it", and whose inapproriate giggles and chattering spoiled the mood of a number of quiet scenes. It's playing the Princess in December; do yourself a favour and wait to see it there.) Movie: *** Crowd: *
He says: Well, that was kind of slow, and they sang too much. I did like the underwater scenes, though. (Also, I don't know what you mean about the crowd.) Movie: ** Crowd: ?

** Act of God (June 2009) - Theatre
Documentary about people who have been struck by lightening.

She says: Not as good as Manufactured Landscapes. I did get caught up in some of the stories of people's encounters with random electricity from the sky, but others not so much. Too much spirituality, maybe. Beautiful images of lightening storms, though.
He says: I found it boring.

*** Adaptation (December 2002) - Theatre
Nicholas Cage, Meryl Streep, Chris Cooper. Screenwriter struggles to adapt the book The Orchid Thief to the screen.

She says: This was the most post-modern thing I'd ever seen, as it's about someone writing the very movie we're watching. Sometimes we see certain scenes, and then later see how the writer came up with them. The use of the twin brother to give this unfilmable book an ending was also really interesting. I quite enjoyed this. (***½)
He says: Well, I did like it better than Chicago (**½).

** AI Artificial Intelligence (June 2001) - Rental
Haley Joel Osment, Jude Law. Robot boy has the ability to love — but can he be loved back?

She says: This movie is a failure, but it's such an interesting failure that you may want to see it anyway. Good acting, interesting premise, and great effects, and yet the whole thing doesn't hold together effectively.
He says: The beginning was really slow; then it tried to be an action movie, but it wasn't good at it; then the end was really mushy.

**** Almost Famous (September 2000) - Theatre
Kate Hudson, Billy Crudup. Coming of age on a rock'n'roll tour.

She says: This was probably the best movie I saw all year. It had fun characters, a fast-moving plot, excellent dialogue, good acting, music... I can't think of anything bad to say about it really. Go see it! Go!
He says: That was great. I really liked it. Penny Lane was adorable.
Almost Famous on DVD

**½ Amar (August 2008) - Theatre
Eccentric millionaire leaves his fortune to a kind rickshaw driver, as long as said driver can be found in 30 days.

She says: Nicely done small film, with twists I didn't expect.
He says: I thought the characters were too black and white. The rickshaw driver was too good. The son was too bad. It took me out of the story.

*** Amélie (November 2001) - Theatre
Audrey Tatou. Young woman who has lived an isolated life decides to try and improve the lives of others. (French, with subtitles)

She says: Charming, funny, with engaging characters and actors playing them. I can see why this was one of the most popular movies ever in France.
He says: It was kind of weird, but I think I liked it.

*** American Pie 2 (August 2001) - Rental
Jason Biggs, Allison Hannigan, Eugene Levy. It's the summer after college, and the gang is all back together.

She says: It's not deep, it's not sophisticated, but it is funny and even kind of sweet.
He says: That's exactly the kind of movie I was in the mood for...

***½ American Splendor (August 2003) - Theatre
Paul Giametti, Hope Davis. Blend of documentary and docu-drama about Harvey Pekar, a man who writes a comic strip based on his life.

She says: Highly original and very entertaining. The style of this film — the blend of dramatic re-creation, actual footage, new (real) interviews, and animated sequences — are perfectly suited to the subject of a man who writes (but doesn't illustrate) comics honestly based on his own life.
He says: Weird and gloomy.
Michelle says: I really liked that. It was so original.
Hugh says: That was great! It was very unique. (Yes, I know you're not supposed to say anything is very unique. I did that on purpose.)

***½ American Teen (July 2008) - Theatre
Documentary follows four teenagers during their Senior year of high school.

He says: Ah, high school. Wasn't it great?
She says: You're insane. It was terrible.
[On the movie: We both got caught up in the stories of this inherently dramatic time in one's lives, ending up really interested in these people who just seemed like stereotypes at first.]

*** The Aristocrats (August 2005) - Theatre
100 comedians. Documentary about an utterly obscene joke.

She says: That is one obscene joke. Some versions really were hilarious (my favourites: South Park, Gilbert Gottfried at the Hugh Hefner dinner, and the mime). Many were just disgusting. And others simply fell flat. What makes the movie more than just a shocker are the insights into the nature of shock comedy, both by example and insightful commentary. But definitely not a movie for everyone.
He says: I loved the mime! And his is the only version of the joke I'd be willing to attempt repeating.

***½ Atanarjuat (The Fast Runner) (June 2002) - Theatre
Inuit actors. Drama based on an ancient Inuit legend. (Inuit, with subtitles)

She says: While it's daunting to sit down and know that you're about to see a film almost three hours long and all in Inuit, it's really very compelling. The characters are charismatic and the story pulls you in.
He says: That was relatively painless three hours. No really, I've seen some two hour movies that seemed way longer. Not exactly rivetting, but the landscape was gorgeous and the story is good.

**½ Atonement (December 2007) - Theatre
Keira Knightly, James McAvoy. Eleven-year-old Brioni misunderstands what is going on between her older sister and the housekeeper's son, with tragic consequences for all.

She says: Very engaging, beautifully shot, and well-acted. I’d recommend it.
He says: I hated that movie. [Really?] Well, I really liked the first third. Then I hated the rest. [Because of the quality of the movie, or the story?] The story. I didn't like how the plot went.

***½ Avatar (December 2009) - Theatre
Sam Worthington, Zoe Saldana. Wheelchair-bound ex-marine finds himself on a hostile planet, charged with inhabiting an avatar body and ingratiating himself with the natives so they can be persuaded to move off the mineral riches they live on.

She says: It is visually stunning, even for the 3D-viewing impaired like me. And while the characters and plot are not exactly brimming with originality and depth, they're still engaging.
He says: I really enjoyed that. And now I think tall women maybe aren't so bad.

**½ The Aviator (December 2004) - Theatre
Leonardo DiCaprio, Cate Blanchett. Howard Hughes' life before his complete collapse into madness.

She says: It's well-made, well-acted story about a man who did some pretty interesting things. Unfortunately, he's not the most likable man (though not detestable, either), and that makes it difficult to be totally invested in his story.
He says: Well, I didn't particularly like that.

***½ Away from Her (May 2007) - Theatre
Julie Christie, Gordon Pinsent. Alzheimers forces Fiona into a nursing home, where the disease—coupled with the home's 30-day no-visit policy—alters her relationship with husband Grant.

She says: Very touching, without forcing the weepies. Lovely performances by all and surprising touches of humour. As good as "they" say, basically.
He says: But nothing happened!
.... Kidding! No, it was very touching. I can't imagine how hard that would be to go through.

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B

*** Baraka (1992) / Microcosmos (1996) - Theatre
Bunch of people / Bunch of bugs. Documentaries.

She says: A double feature is very long to sit through, but both of these narrative-free documentaries are worth seeing for amazing images and (especially Baraka) thought-provoking concepts.
He says: I liked Baraka better. Especially the darker parts, for some reason. Microcosmos was too long for a movie about bugs.

*** Barney's Version (January 2011) - Theatre
Paul Giamatti, Rosamund Pike. A movie built around Barney Panofsky's relationships—with his father, his friends (especially Boogie), and the three Mrs. Panofsky's.

She says: Very well-acted, engaging, funny in parts, but a lot of tragedy as well. A realistic love story at its heart. Just barely passes the Bechdel Test, though.
He says: I enjoyed it. Paul Giamatti is a really good actor.

**½ A Beautiful Mind (January 2002) - Theatre
ussell Crowe, Jennifer Connelley. Brilliant math professor copes with schizophrenia.

She says: A bit sentimental, but Russell Crowe's performance, along with the interesting way his mental problems are presented, makes this worth seeing. (***)
He says: Not bad, but I was really bored in parts. I think I might even have nodded off briefly. (**)

***½ Bend It Like Beckham (March 2003) - Theatre
Parminder Nagra, Keira Knightly. An Indo-British high school girl longs to play football (soccer) over her family's objections.

She says: The charming performances ensure that the film never drags. The characters are funny and appealing, and seem real. Still, there is a certain repetition in the “you must follow your desires” speeches and the varied “discovery” scenes.
He says: OK. So it wasn't a bad movie.

*** Billy Elliot (October 2000) - Theatre
Jamie Bell. Boy from working-class Irish family is drawn to ballet.

She says: A "feel-good" movie, as they say, though that's not necessarily a bad thing. Good performances and an interesting treatment of Billy's childhood friend.
He says: I just didn't buy the whole "conversion" of the father and brother in the second act.

***½ Blow (April 2001) - Theatre
Johnny Depp, Penelope Cruz. Life and times of drug dealer George Jung.

She says: The story is interesting and is told at such a clip that there is no time to be bored (or to form too many judgments). Johnny Depp is fantastic. Very unsympathetic portrayals of two major female characters, though.
He says: I had some moral objections to seeing this in the first place, but I ended up liking it. Wish I had been young in the 60s. The relationship between George and his Dad really hit home.
Blow on DVD (pending)

** Blue Crush (August 2002) - Theatre
Kate Bosworth, Michelle Rodriguez. Working-class girl tries to make good in a big surfing competition.

She says: There are elements of a good movie here, including the astounding water cinematography, the unusual sight of characters who really seem working class, and an ending that isn't quite what you'd expect. But the total is considerably less than the sum of those parts, particularly with the clunky romance thrown in.
He says: Much as I like girls in bikinis, I was hoping this would be more. But it wasn't.

*** Bon Cop, Bad Cop (August 2006) - Theatre
Colm Feore, Pierre Lebeau. French-Canadian, daredevil officer from Montreal is paired with a sophisticated officer from Toronto to solve a cross-province murder. French sections subtitled.

She says: Not exactly realistic, but a whole lot of fun.
He says: That was good, wasn't it? But I think bilingual people get more out of it.

*** Bottle Shock (July 2008) - Theatre
Alan Rickman, Chris Pine. The inaugural wine-tasting competition between French and California wines.

She says: It's a fun movie! Makes you a little hungry, but a good ride.
He says: I enjoyed that.

*** The Bourne Identity (June 2002) - Rental
Matt Damon, Franka Potente. Man wakes up with no memory but mysterious and somewhat alarming abilities. Also, people are trying to kill him.

She says: A fine action movie, in which character was as much the point as the action. Makes me wonder how the book was different — though not enough to actually read the book.
He says: Now that was a good movie.

***½ Bowling for Columbine (October 2002) - Theatre
Michael Moore. Documentary on America's gun culture.

She says: A well-constructed, well-paced film with a skilful mix of humour and pathos, the only flaw being the excess of talking heads in the middle portion, which drags a bit. Moore's ideas are definitely thought-provoking, though he supplies more questions than answers.
He says: I liked it, except for that slow, boring part in the middle. And he wasn't telling the whole story about guns in Canada.
Bowling for Columbine on DVD (pending)

*** Boys Don't Cry (April 2000) - Rental
Hillary Swank, Cloe Sevigny. Girl tries to pass herself off as a guy in small-town Texas, to devastating results.

She says: Hillary Swank is great, and the movie is very well done, but it is a heartbreaking story.
He says: This is just excruciating to watch.

*** Bridget Jones' Diary (April 2001) - Theatre
Renee Zellweger, Hugh Grant. A year in the life of 30-something singleton, Bridget Jones.

She says: It was very funny, and in some ways improved on the book's plot and characterization.
He says: Way better than House of Mirth. I laughed.

**½ Bright Star (May 2009) - Rental
Abbie Cornish, Ben Whishaw. Story of the unlikely romance between poet John Keats and Fanny Brawne.

She says: Surprisingly engrossing for a slow-paced movie in which comparatively little actually happens.
He says: Yeah, that was slow pace all right. Like, glacial.

**½ Bring It On (August 2000) - Theatre
Kirsten Dunst, Eliza Dushku. The drama of cheerleading competitions. Really.

She says: A fun movie, with absolutely amazing cheerleading sequences. Don't take it too seriously, don't expect too much, and you'll have fun.
He says: That's really different from the type of movie we usually see. I mean, not much happened in it, right?

*** Bring It On (August 2000) - Rental
Kirsten Dunst, Eliza Dushku. The drama of a cheerleading competition.

She says: We've sent it before, but it was just as enjoyable the second time. Maybe more. I appreciated the tight editing and the three-dimensional characters. And the extras on the DVD are great.
He says: You know, that's a good little movie!

***½ Brokeback Mountain (December 2005) - Theatre
Heath Ledger, Jake Gyllenhaal. Two young men – a ranch-hand and a rodeo cowboy – meet in the summer of 1963, and unexpectedly forge a lifelong connection that complicates both their lives.

She says: Yes, this is a good movie. Well-acted, beautifully shot, and a compelling and moving story. Don't let worries about seeing "gay sex" keep you away from this one—that aspect is tastefully done, and the story is haunting and touching.
He says: I didn't dislike it, but it was a little slow and character-focused for me. (Chick flick!) But I will admit that it was emotionally stirring. And the story is universal—the gay aspect didn't bother me (at any rate, compared with Queer as Folk, it was nothing).
Brokeback Mountain on DVD

*** The Brothers Bloom (May 2009) - Rental

Adrien Brody, Mark Ruffalo, Rachel Weisz. After years of con jobs, one of two brothers wants to quit. His brother convinces to do one final con. It will all work great—as long as he doesn't fall in love.

She says: Its quirky style reminded me a lot of the TV show Pushing Daisies. The plot twists and connection between the actors kept me interested. A very interesting film—in a good way.

He says: Man, I'm tired. [Then later.] I think I missed too much sleeping to follow the plot.

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